Film review in mythic and propagandistic aspects Essay

Film look back in mythic and propagandistic aspects - Essay ExampleThis was a period of incertitude for the Russians, during which communism was exc design unstable and so was the new Russia, hence the profound motivation for the Russian governments use of propaganda to instill its political ethos in the Russian population. The films director Eisenstein takes great liberty and makes solid alterations to this historical record of events thus controlling the narrative structure and pacing of the film (Severson). This was Eisensteins stress to create an effective and well-structured film that is not bound to the nuances of the historical record, but his key shots and scenes are in fact actual depictions of what took place in the Potemkin mutiny. The titular Battleship Potemkin was a true Russian naval forces ship and its crew that rebelled against their tsarist captain siding with the Bolshevics was a real record of the prototypical commie struggle before its eventual triumph in 19 17 (Yahner). The sailors, who were the proletariats, are portrayed as the heroic everyman of the film while the captain and the Tsarist soldiers, who were bourgeois, are scorned as the villains of the film. The film leverages on its fiery hot air and violent scenes to evoke anti-capitalism feelings in the audiences, while glorifying the communism philosophy. The film establishes its strong communist ethos through the instance of Vakulinchuk, an Ukranian sailor in the Russian Navy who prior to his death in 1905 had served on the Russian battlewagon Potemkin and witnessed the events that had occurred. Similarly, the director further embellishes the films ethos through masterful redaction skills rather than shooting the movie in a single scene-by-scene fashion as was the norm in the 1920s Eisenstein pioneered most of the modern film editing techniques by flashing several characters and settings across the screen despite the limitation of technology at his measure (Oheir). The four th chapter of the film, the Odessa Staircase, became Eisensteins